Magdalena Street with Chevrolet

Magdalena Street with Chevrolet is an intimate street-level composition — a 1952 Chevrolet fills the foreground with commanding presence, its chrome bumper and headlights rendered in extraordinary detail. Two figures lean against the car in conversation, their bodies relaxed, unhurried.

The street recedes behind them into the characteristic layers of Havana's colonial architecture — peeling facades, wrought-iron balconies, the geometry of arched doorways. The sepia palette creates a dream-like quality that blurs the line between memory and documentation.

This is one of the most intimate works in the series — less panoramic spectacle, more quiet encounter. Magdalena Street asks the viewer to slow down, to lean in, to notice the texture of a moment.